Art and Design Portfolio

"Photographs are a way of imprisoning reality… One can’t possess reality, one can possess images–one can’t possess the present but one can possess the past." - Susan Sontag

Art and Design Portfolio

My earliest memories involve making things. As a child I was frantic storyteller, with an urge to show my thoughts and ideas; that passion to create pushed me through school. When it was time to go to college, I was not sure what profession I should go into, but I knew I was an artist and I found a place in fine art, specifically traditional darkroom photography. I earned my BFA with a double major in Art and English in 2002, then I went on to earn my MFA in Art in 2005, with a focus in photography and digital media. Below are selected works from 2002 to 2005 during this time. After graduating, I worked as a graphic designer for many years. One of my responsiblities as a teacher at Ube High School was to create materials for the SGH program, and I have included a small portfolio featuring some of those works below as well. The works displayed here are organized in chronological order, from most recent at the top, to the oldest works at the bottom.

Artist Statement Click HERE
Read my MFA Thesis Fine Art Play Click HERE (PDF copy)

Ube High School SGH Design Portfolio (Selected Works 2014-2019)

2014-2019, Color prints, various sizes
Scroll through the portfolio in the embedded window below, or Click HERE to view (PDF version)
These designs were used to produce materials for the SGH Program at Ube High School in Ube City, Yamaguchi Prefecture, Japan

mwsnead_ube_hs_portfolio_v2.pdf

Re-Seeing the World, Fukuoka City, Fukuoka Prefecture, Japan, 2017

Falling Piece #1

2017, Silver gelatin print, 40" x 32"
Created for Re-Seeing the World exhibition, Fukuoka, JAPAN.

Falling Piece #2

2017, Silver gelatin print, 40" x 32"
Created for
Re-Seeing the World exhibition, Fukuoka, JAPAN.

徳之島の訪客 (Tokunoshima Visitor series) 2012

2012, Digital-C prints, 24" x 30" (images are horizontal and vertical)
Solo exhibition, Okinawa, JAPAN.

Untitled #1 (徳之島の訪客)

Untitled #2 (徳之島の訪客)

Untitled #3 (徳之島の訪客)

Untitled #4 (徳之島の訪客)

Untitled #5 (徳之島の訪客)

Untitled #6 (徳之島の訪客)

Untitled #7 (徳之島の訪客)

Untitled #8 (徳之島の訪客)

Untitled #9 (徳之島の訪客)

Untitled #10 (徳之島の訪客)

Untitled #11 (徳之島の訪客)

Untitled #12 (徳之島の訪客)

Untitled #13 (徳之島の訪客)

Untitled #14 (徳之島の訪客)

Untitled #15 (徳之島の訪客)

Untitled #16 (徳之島の訪客)

Untitled #17 (徳之島の訪客)

Untitled #18 (徳之島の訪客)

Untitled #19 (徳之島の訪客)

Untitled #20 (徳之島の訪客)

Untitled #21 (徳之島の訪客)

Untitled #22 (徳之島の訪客)

Untitled #23 (徳之島の訪客)

Untitled #24 (徳之島の訪客)

Fine Art Play (series) 2005

2005, Cibachrome prints, 24" x 20"
Fine Art Play, Valade Gallery, Adrian College, 2011.
Fine Art Play, St. Claude Gallery, University of New Orleans, 2005.
Images can be viewed in more detail
, Click HERE

Plans

Banal

Die

Materialize

Nature

Stranger

Theories

Prospect

Colonization

Constructs

Excess

Photography

Architecture

Contest

Representation

Surplus

Staged

Technology

Extinction

Movies

World Conquest Game 2004

World Conquest Game

2004, 416 5x7 color photo prints, 130" x 112"
Photo binder pages, plastic, metal
Gallery View

World Conquest Game (detail)

2004, 416 5x7 color photo prints, 130" x 112"
Photo binder pages, plastic, metal
Gallery View
(with artist)

E Theory: The Perfect Male (series) 2004

2004, Silver gelatin prints, 10" x 12"
Large format (8x10) contact prints

E Theory and the absurd; notions of power, performative masculinity, and other human constructs

This series was a part of a larger group of works about social constructs, in a precariously developed concept of the E Theory. This "theory" compares the capital Roman letter 'E' and the lower case letter 'e' to masculinity and femininity in an artificial binary.

In this series, men take on the persona, or a fabrication, and the capital E shirt that superimposes the construct onto the models; men who are a part of the larger (and real) social construct. The models (all artists) were told nothing of the "theory," only to wear the shirt and to "enact masculinity" as they saw fit. These images were captured by an 8x10 view camera, which not only requires a studio setup, but the camera itself is large and imposing. Furthermore, the photographs are 8x10 contact prints, there is no manipulation whatsoever. The photographer is the archivist of the masquerade of the social construct.


Perfect Male #1

Perfect Male #2

Perfect Male #3

Perfect Male #4

Perfect Male #5

Perfect Male #6

Perfect Male #7

Perfect Male #8

Perfect Male #9

Perfect Male #10

Perfect Male #11

Perfect Male #12

Alt/ering the Negative, New Orleans, LA, 2004

Mutations #1

2004, Silver gelatin print, 6" x 5"
Large format (
4x5) contact print
Created for Alt/ering the Negative exhibition, New Orleans, LA.

Mutations #2

2004, Silver gelatin print, 6" x 5"
Large format (
4x5) contact print
Created for
Alt/ering the Negative exhibition, New Orleans, LA.

Barriers (series) 2004

2004, Silver gelatin prints (selenium toning), 14" x 9"
Large format (
8x10) contact prints

Untitled #1 (Barriers)

Untitled #2 (Barriers)

Untitled #3 (Barriers)

Untitled #4 (Barriers)

Untitled #5 (Barriers)

Untitled #6 (Barriers)

Untitled #7 (Barriers)

Untitled #8 (Barriers)

Untitled #9 (Barriers)

Untitled #10 (Barriers)

Untitled #11 (Barriers)

Untitled #12 (Barriers)

Untitled #13 (Barriers)

Untitled #14 (Barriers)

Untitled #15 (Barriers)

Untitled #16 (Barriers)

Untitled #17 (Barriers)

Untitled #18 (Barriers)

Untitled #19 (Barriers)

Untitled #20 (Barriers)

Untitled #21 (Barriers)

Untitled #22 (Barriers)

Untitled #23 (Barriers)

Untitled #24 (Barriers)

Memory Memorial (series) 2003

2003, Silver gelatin prints, 16" x 20" (Four Triptychs)

Film, photograms, positive to negative transfer

Memory Memorial #1 (A)


Memory Memorial #1 (B)


Memory Memorial #1 (C)


Memory Memorial #2 (A)


Memory Memorial #2 (B)


Memory Memorial #2 (C)


Memory Memorial #3 (A)


Memory Memorial #3 (B)


Memory Memorial #3 (C)


Memory Memorial #4 (A)


Memory Memorial #4 (B)


Memory Memorial #4 (C)


Untitled Landscapes (series) 2003

2003, Silver gelatin prints (sepia toning), 6" x 5"
Large format (
4x5) contact prints

Untitled #1 (2003)

Untitled #2 (2003)

Untitled #3 (2003)

Untitled #4 (2003)

Untitled #5 (2003)

Untitled #6 (2003)

Untitled #7 (2003)

Untitled #8 (2003)

Untitled #9 (2003)

Untitled #10 (2003)

Untitled #11 (2003)

Untitled #12 (2003)

Untitled #13 (2003)

Untitled #14 (2003)

Untitled #15 (2003)

Untitled #16 (2003)

Untitled #17 (2003)

Untitled #18 (2003)

Untitled #19 (2003)

Untitled #20 (2003)

Eden, Reclaimed (series) 2002

2002, Silver gelatin prints (sepia toning), 16" x 20" (images are horizontal and vertical)

Untitled #1 (Eden, Reclaimed)

Untitled #2 (Eden, Reclaimed)

Untitled #3 (Eden, Reclaimed)

Untitled #4 (Eden, Reclaimed)

Untitled #5 (Eden, Reclaimed)

Untitled #6 (Eden, Reclaimed)

Untitled #7 (Eden, Reclaimed)

Untitled #8 (Eden, Reclaimed)

Untitled #9 (Eden, Reclaimed)

Untitled #10 (Eden, Reclaimed)

Untitled #11 (Eden, Reclaimed)

Untitled #12 (Eden, Reclaimed)

A Foundation for a New Paradise (series) 2002

2002, Silver gelatin prints (sepia toning), 16" x 20" (images are horizontal and vertical)

Untitled #1 (2002)


Untitled #2 (2002)


Untitled #3 (2002)

Untitled #4 (2002)

Untitled #5 (2002)

Untitled #6 (2002)

Untitled #7 (2002)

Untitled #8 (2002)

Untitled #9 (2002)

Untitled #10 (2002)

Untitled #11 (2002)


Untitled #12 (2002)


Untitled #13 (2002)

Untitled #14 (2002)

Untitled #15 (2002)

Untitled #16 (2002)

Untitled #17 (2002)

Untitled #18 (2002)

Untitled #19 (2002)

Untitled #20 (2002)

お台場

Photo: Odaiba (Odaiba Artificial Island in Tokyo Bay)

Location: Tokyo City, Tokyo Prefecture, Japan

Credit: M. Snead 2015