"Photographs are a way of imprisoning reality… One can’t possess reality, one can possess images–one can’t possess the present but one can possess the past." - Susan Sontag
My earliest memories involve making things. As a child I was frantic storyteller, with an urge to show my thoughts and ideas; that passion to create pushed me through school. When it was time to go to college, I was not sure what profession I should go into, but I knew I was an artist and I found a place in fine art, specifically traditional darkroom photography. I earned my BFA with a double major in Art and English in 2002, then I went on to earn my MFA in Art in 2005, with a focus in photography and digital media. Below are selected works from 2002 to 2005 during this time. After graduating, I worked as a graphic designer for many years. One of my responsiblities as a teacher at Ube High School was to create materials for the SGH program, and I have included a small portfolio featuring some of those works below as well. The works displayed here are organized in chronological order, from most recent at the top, to the oldest works at the bottom.
Artist Statement Click HERE
Read my MFA Thesis Fine Art Play Click HERE (PDF copy)
2014-2019, Color prints, various sizes
Scroll through the portfolio in the embedded window below, or Click HERE to view (PDF version)
These designs were used to produce materials for the SGH Program at Ube High School in Ube City, Yamaguchi Prefecture, Japan
2017, Silver gelatin print, 40" x 32"
Created for Re-Seeing the World exhibition, Fukuoka, JAPAN.
2017, Silver gelatin print, 40" x 32"
Created for Re-Seeing the World exhibition, Fukuoka, JAPAN.
2012, Digital-C prints, 24" x 30" (images are horizontal and vertical)
Solo exhibition, Okinawa, JAPAN.
2005, Cibachrome prints, 24" x 20"
Fine Art Play, Valade Gallery, Adrian College, 2011.
Fine Art Play, St. Claude Gallery, University of New Orleans, 2005.
Images can be viewed in more detail, Click HERE
2004, 416 5x7 color photo prints, 130" x 112"
Photo binder pages, plastic, metal
Gallery View
2004, 416 5x7 color photo prints, 130" x 112"
Photo binder pages, plastic, metal
Gallery View (with artist)
2004, Silver gelatin prints, 10" x 12"
Large format (8x10) contact prints
This series was a part of a larger group of works about social constructs, in a precariously developed concept of the E Theory. This "theory" compares the capital Roman letter 'E' and the lower case letter 'e' to masculinity and femininity in an artificial binary.
In this series, men take on the persona, or a fabrication, and the capital E shirt that superimposes the construct onto the models; men who are a part of the larger (and real) social construct. The models (all artists) were told nothing of the "theory," only to wear the shirt and to "enact masculinity" as they saw fit. These images were captured by an 8x10 view camera, which not only requires a studio setup, but the camera itself is large and imposing. Furthermore, the photographs are 8x10 contact prints, there is no manipulation whatsoever. The photographer is the archivist of the masquerade of the social construct.
2004, Silver gelatin print, 6" x 5"
Large format (4x5) contact print
Created for Alt/ering the Negative exhibition, New Orleans, LA.
2004, Silver gelatin print, 6" x 5"
Large format (4x5) contact print
Created for Alt/ering the Negative exhibition, New Orleans, LA.
2004, Silver gelatin prints (selenium toning), 14" x 9"
Large format (8x10) contact prints
2003, Silver gelatin prints, 16" x 20" (Four Triptychs)
Film, photograms, positive to negative transfer
2003, Silver gelatin prints (sepia toning), 6" x 5"
Large format (4x5) contact prints
2002, Silver gelatin prints (sepia toning), 16" x 20" (images are horizontal and vertical)
2002, Silver gelatin prints (sepia toning), 16" x 20" (images are horizontal and vertical)
Photo: Odaiba (Odaiba Artificial Island in Tokyo Bay)
Location: Tokyo City, Tokyo Prefecture, Japan
Credit: M. Snead 2015